The art of guilloché – a day at Jochen Benzinger’s atelier
Atelier · · by Christian Bissener

On a Saturday – a birthday present to myself – I spent a day improving my guilloché skills at the atelier of Jochen Benzinger, one of the best-known master guillocheurs in the world. He works with rose engine and straight-line engine-turning machines that are more than a hundred years old, and has assembled a remarkable collection of them. Visiting the atelier is like walking into a museum. It is a pleasure to watch him at work, and a privilege to work on these machines myself. Jochen is generous with his time, and explains everything down to the smallest detail.
Guilloché evolved from the royal craft of ornamental turning. From the turning lathes, watch artists developed the guilloché machines with which Abraham-Louis Breguet also cut his characteristic dials. Dials guilloché by hand remain unsurpassed in their noble appearance, and this rare, historically meaningful art form can be found in all of Jochen Benzinger’s work. His dials are also finished with original Breguet frost, which other brands no longer use because the process is so time-consuming and complicated.

Here the aim was a moiré guilloché. Benzinger uses the moiré design on the dial of his “Subskription Moirée V”.




It is an honour to represent the timepieces of Benzinger, and to know this master guillocheur as a person. More on the maker: Benzinger.